Two months ago, the Daily Bulletin featured Six Shooting Tips by Bryan Litz. That article was hugely popular with our Bulletin readers and Facebook fans. In that article, as his Competition Tip Number Three, Bryan told readers to “Actively avoid major train wrecks”. In other words, you must avoid the big disasters (such as equipment failures) that can ruin a whole match. In this follow-up article, Bryan illustrates the types of “train wrecks” that commonly befall competitors, and he explains how to avoid these “unmitigated disasters”.
Urban Dictionary “Train Wreck” Definition: “A total @#$&! disaster … the kind that makes you want to shake your head.”
Success in long range competition depends on many things. Those who aspire to be competitive are usually detail-oriented, and focused on all the small things that might give them an edge. Unfortunately it’s common for shooters lose sight of the big picture — missing the forest for the trees, so to speak.
Consistency is one of the universal principles of successful shooting. The tournament champion is the shooter with the highest average performance over several days, often times not winning a single match. While you can win tournaments without an isolated stellar performance, you cannot win tournaments if you have a single train wreck performance. And this is why it’s important for the detail-oriented shooter to keep an eye out for potential “big picture” problems that can derail the train of success!
Train wrecks can be defined differently by shooters of various skill levels and categories. Anything from problems causing a miss, to problems causing a 3/4-MOA shift in wind zero can manifest as a train wreck, depending on the kind of shooting you’re doing.
Below is a list of common Shooting Match Train Wrecks, and suggestions for avoiding them.
1. Cross-Firing. The fastest and most common way to destroy your score (and any hopes of winning a tournament) is to cross-fire. The cure is obviously basic awareness of your target number on each shot, but you can stack the odds in your favor if you’re smart. For sling shooters, establish your Natural Point of Aim (NPA) and monitor that it doesn’t shift during your course of fire. If you’re doing this right, you’ll always come back on your target naturally, without deliberately checking each time. You should be doing this anyway, but avoiding cross-fires is another incentive for monitoring this important fundamental. In F-Class shooting, pay attention to how the rifle recoils, and where the crosshairs settle. If the crosshairs always settle to the right, either make an adjustment to your bipod, hold, or simply make sure to move back each shot. Also consider your scope. Running super high magnification can leave the number board out of the scope’s field view. That can really increase the risk of cross-firing.
2. Equipment Failure. There are a wide variety of equipment failures you may encounter at a match, from loose sight fasteners, to broken bipods, to high-round-count barrels that that suddenly “go south” (just to mention a few possibilities). Mechanical components can and do fail. The best policy is to put some thought into what the critical failure points are, monitor wear of these parts, and have spares ready. This is where an ounce of prevention can prevent a ton of train wreck. On this note, if you like running hot loads, consider whether that extra 20 fps is worth blowing up a bullet (10 points), sticking a bolt (DNF), or worse yet, causing injury to yourself or someone nearby.
3. Scoring/Pit Malfunction. Although not related to your shooting technique, doing things to insure you get at least fair treatment from your scorer and pit puller is a good idea. Try to meet the others on your target so they can associate a face with the shooter for whom they’re pulling. If you learn your scorer is a Democrat, it’s probably best not to tell Obama jokes before you go for record. If your pit puller is elderly, it may be unwise to shoot very rapidly and risk a shot being missed (by the pit worker), or having to call for a mark. Slowing down a second or two between shots might prevent a 5-minute delay and possibly an undeserved miss.
4. Wind Issues. Tricky winds derail many trains. A lot can be written about wind strategies, but here’s a simple tip about how to take the edge off a worse case scenario. You don’t have to start blazing away on the command of “Commence fire”. If the wind is blowing like a bastard when your time starts, just wait! You’re allotted 30 minutes to fire your string in long range slow fire. With average pit service, it might take you 10 minutes if you hustle, less in F-Class. Point being, you have about three times longer than you need. So let everyone else shoot through the storm and look for a window (or windows) of time which are not so adverse. Of course this is a risk, conditions might get worse if you wait. This is where judgment comes in. Just know you have options for managing time and keep an eye on the clock. Saving rounds in a slow fire match is a costly and embarrassing train wreck.
5. Mind Your Physical Health. While traveling for shooting matches, most shooters break their normal patterns of diet, sleep, alcohol consumption, etc. These disruptions to the norm can have detrimental effects on your body and your ability to shoot and even think clearly. If you’re used to an indoor job and eating salads in air-conditioned break rooms and you travel to a week-long rifle match which keeps you on your feet all day in 90-degree heat and high humidity, while eating greasy restaurant food, drinking beer and getting little sleep, then you might as well plan on daily train wrecks. If the match is four hours away, rather than leaving at 3:00 am and drinking five cups of coffee on the morning drive, arrive the night before and get a good night’s sleep.”
Keep focused on the important stuff. You never want to lose sight of the big picture. Keep the important, common sense things in mind as well as the minutia of meplat trimming, weighing powder to the kernel, and cleaning your barrel ’til it’s squeaky clean. Remember, all the little enhancements can’t make up for one big train wreck!
To succeed in long-range shooting matches, given the high level of competition these days, you’ll need solid wind-reading abilities. We’ve found an article by SFC Emil Praslick III, USAMU Service Rifle coach, that can help you make better wind calls in competition.
SFC Praslick is considered one of the best wind gurus in the United States, if not the world. He has authored an excellent two-part article on wind reading that is available on the CMP (Civilian Marksmanship Program) website. Both articles contain helpful illustrations, and are “must-read” resources for any long-range shooter–not just Service Rifle and Highpower competitors.
Part One covers basic principles, tactics, and strategies, with a focus on the 200-yard stages. Emil writes: “There are as many dimensions to ‘wind reading’ as there are stages to High Power competition. Your tactical mindset, or philosophy, must be different for the 200 and 300 yard rapid-fire stages than it would be for the 600 yard slow-fire. In the slow-fire stages you have the ability to adjust windage from shot to shot, utilizing the location of the previous shot as an indicator. Additionally, a change to the existing conditions can be identified and adjusted for prior to shooting the next shot.”
In Part Two, Praslick provides more detailed explanations of the key principles of wind zeros, wind reading, and the “Clock System” for determining wind values: “The Value of the wind is as important as its speed when deciding the proper windage to place on the rifle. A 10 MPH wind from ’12 o-clock’ has No Value, hence it will not effect the flight of the bullet. A 10 MPH wind from ‘3 o’clock’, however, would be classified as Full Value. Failure to correct for a Full Value wind will surely result in a less than desirable result.”
Praslick also explains how to identify and evaluate mirage:
Determine the accuracy of the mirage. Mirage is the reflection of light through layers of air that have different temperatures than the ground. These layers are blown by the wind and can be monitored to detect wind direction and speed.
Focus your scope midway between yourself and the target, this will make mirage appear more prominent. I must emphasize the importance of experience when using mirage as a wind-reading tool. The best way to become proficient in the use of mirage is to correlate its appearance to a known condition. Using this as a baseline, changes in mirage can be equated to changes in the value of the wind. Above all, you must practice this skill!
Click HERE for more excellent instructional articles by Emil Praslick and other USAMU Coaches and shooters.
In response to questions from a fellow F-Class shooter, G. Salazar offered some expert advice in an article entitled: Basics: A Few Wind Reading Tips. Here are highlights from that essay. You can read the entire article on Salazar’s Rifleman’s Journal Website. Salazar cautions that: “I certainly am not attempting to make this short item into a comprehensive lesson in wind reading, but there may be a nugget or two in here for the newer shooter. There is, however, no substitute for range time and coaching.”
Preliminary Matters — Holding Off vs. Knob-Turning
Let’s begin by eliminating one topic altogether — I realize that the predominant method of wind correction in F-Class is holding-off with the crosshairs of your scope rather than adjusting the windage knob. I am a firm believer in aiming at the center and turning the knob as needed, but we’ll leave that for another time and focus on seeing what the wind is doing.
The Wave — Wind Cycles and Shot Timing
I find that most shooters begin to shoot immediately when the time commences rather than waiting for an appropriate moment in the cycle, this often leads to lost points early on. If you’ve been scoring prior to shooting, hopefully you’ve observing the flags and your shooter’s shot placement. It’s a very useful way of gaining some insight into the day’s wind patterns before shooting.
My technique is based on the understanding of wind as a cyclical wave motion. That statement alone should give you plenty to think about[.] Imagine for a moment, a surfer. He waits for a gentle swell, gets moving on it and rides it through it’s growth and ultimately its crescendo and hopefully avoids being swallowed in its crash. Wind typically behaves in the same fashion as that wave and a smart shooter behaves as does the surfer — get on early in the wave, ride through the major change and get off at the right moment. Knowing when to stop shooting is every bit as important as shooting quickly through the predictable portion of the wave; getting back on to the next wave is a matter of delicate judgment and timing.
When you are on that rising (or falling) wave, the idea is to shoot very quickly to minimize the amount of change between shots and to make a small adjustment on each shot. Too many shooters waste time trying to analyze the exact amount of the change, by which time it has changed even more! Get on with it, click or hold over a set amount and fire the next shot quickly. This is the foundation of how I shoot and it is very effective as long as you know when to start, when to stop and you have a good man working the target – a slow marker is the death of this method.
Watch Shots from Other Shooters
We all watch the wind flags, of course, and the trees if your range is so blessed (ours are fairly barren), and many other small wind indicators. Watching the shots of your fellow shooter can also be a very useful tool and should be observed whenever possible. When a good shooter next to you comes up with a poor shot, it should signal you to stop and reassess conditions as they may not be what they appear.
While scoring for another shooter, take a moment to scan the line of targets. You’ll be surprised at how most of the shot markers move in unison to one side and then the other. The sad truth is that most shooters are behind the changes in the wind and they will get carried to either side of the bull as the wind changes. You’ll see this in the targets as they come up, and once learned, you’ll find that the line of targets is as useful as another row of flags.
The pessimist complains about the wind; the optimist expects it to change; the realist adjusts the sails.” — William Arthur Ward
Readers often ask us: “Is there a decent, easy-to-comprehend book that can help my wind-reading?” Many of our Forum members have recommended The Wind Book for Rifle Shooters by Linda Miller and Keith Cunningham. This 146-page book, published in 2007, is a very informative resource. But you don’t have to take our word for it. If you click this link, you can read book excerpts and decide for yourself. When the Amazon page opens, simply click the book cover (labeled “Look Inside”) and another screen will appear. This lets you preview the first few chapters, and see some illustrations.
Other books cover wind reading in a broader discussion of ballistics or long-range shooting, such as Applied Ballistics for Long-Range Shooting by Bryan Litz. But the Miller & Cunningham book is ALL about wind reading from cover to cover, and that is its strength. The book focuses on real world skills that can help you accurately gauge wind angle, wind velocity, and wind cycles.
All other factors being equal, it is your ability to read the wind that will make the most difference in your shooting accuracy. The better you understand the behavior of the wind, the better you will understand the behavior of your bullet. — Wind Book for Rifle Shooters
The Wind Book for Rifle Shooters contains straightforward guidance on the thought processes, techniques, and tactics used by expert wind-readers. The written text is supplemented by numerous easy-to-understand charts and illustrations. The authors show you how to put together a simple wind-reading “toolbox” for calculating wind speed, direction, deflection and drift. Then they explain how to use these tools to read flags and mirage, record and interpret your observations, and time your shots to compensate for wind. The essential wind-reading basics taught in this book can definitely help any shooter. Here are some reviews from actual book buyers:
I believe this is a must-have book if you are a long-range sport shooter. I compete in F-Class Open and when I first purchased this book and read it from cover to cover, it helped me understand wind reading and making accurate scope corrections. Buy this book, read it, put into practice what it tells you, you will not be disappointed. — P. Janzso
If you have one book for wind reading, this should be it. Whether you’re a novice or experienced wind shooter this book has something for you. It covers how to get wind speed and direction from flags, mirage, and natural phenomenon. The book also details methods for recording shots and improving your shooting and thus your wind reading skills. In my opinion this is the best book for learning to read wind speed and direction. — Muddler
I found this book to be something I have needed for quite a while. I have been shooting Long Range for 20 years and always had problems with the wind. I would just chase the spotter. This book makes it all make sense. — L. Cash
As far as I know this is the only book of its type. It’s very well written in a way that’s easy to understand for such a complex subject. The charts and graphs are extremely helpful. It’s a bit on the short side at about 146 pages but still packed with knowledge. — R. Johnson
If you want to win shooting matches you’ll need to gauge wind speed and direction. While many shooters use the excellent Kestrel pocket Weather Trackers, many top shooters are turning to the Windtronic 2, a German-made unit that measures wind speeds from any direction.
The Windtronic features rotating cups mounted on a vertical axis. With this design you don’t have to align the unit with the wind, unlike the Kestrel WindMeter or SpeedTech WindMate™ devices. Many users feel the Windtronic’s unique design allows it to read wind speeds more accurately; it certainly can respond to shifting winds more easily. The omni-directional functionality of the Windtronic allows it to be mounted on a stand or tripod and continuously display current wind speed, max wind speed, and average velocity.
The Windtronic 2 doesn’t gauge temperature, barometric pressure, humidity, or density altitude, unlike the more advanced (and expensive) Kestrel 4000/4500 model pocket weather trackers. The Windtronic only records wind speeds, but it does that one task exceptionally well.
Made in Germany by Kaindl Electronics, the Windtronic 2 comes with a 2-year manufacturers warranty and retails for $99.00 on Amazon.com. (Amazon.com provides AccurateShooter a small commission on sales). Other vendors include Windtronic.us and Windpowersports.com.
There was an excellent article about Mirage on the South Texas Marksmanship Training Center (STMTC) website. This article explains what causes mirage and how mirage can move the perceived aiming point on your target. Most importantly, the article explains, in considerable detail, how you can “read” mirage to discern wind speeds and wind directions. With simple but effective graphic illustrations, this is one of the best explanations of mirage (and mirage reading) we have found on the internet. This is a “must-read” for any serious competitive shooter. Here is a brief sample from the article, along with an illustration. NOTE: the full article is six times longer and has 8 diagrams.
The term “mirage” as used by the shooter does not refer to a true mirage, but to heat waves and the refraction of light as it is bent passing through air layers of different density. Light which passes obliquely from one wind medium to another it undergoes an abrupt change in direction, whenever its velocity in the second medium is different from the velocity in the first wind medium; the shooter will see a “mirage”.
The density of air, and therefore its refraction, varies with its temperature. A condition of cool air overlaying warm air next to the ground is the cause of heat waves or “mirage”. The warm air, having a lower index of refraction, is mixed with the cooler air above by convection, irregularly bending the light transmitting the target image to the shooter’s eye. Figure 1 shows (greatly exaggerated) the vertical displacement of the target image by heat waves.
Heat waves are easily seen with the unaided eye on a hot, bright day and can be seen with spotting scope on all but the coldest days. To observe heat waves, the scope should be focused on a point about midway to the target. This will cause the target to appear slightly out of focus, but since the high power rifle shooter generally does not try to spot bullet holes, the lack in target clarity is more than compensated by clarity of the heat waves.
Mirage Is Your Friend
While hot days with lots of mirage can be frustrating, mirage can reveal how the wind is flowing (and changing). If you learn how to recognize and read mirage patterns, you can use that information to shoot higher scores. That’s why many leading long-range shooters tell us: “Mirage is your friend.” As the STMTC article explains: “A mirage condition is not a handicap, since it offers a very accurate method of perceiving small wind changes[.]”
Story tip from Boyd Allen. We welcome reader submissions.
Editor’s Comment: All long-range competitive shooters should watch this excellent video — whether you shoot with a team or as an individual. Three cameras were used so you can watch the shooter, the range flags, and the target simultaneously. After a discussion of scoring, the actual shooting starts at the five-minute mark in the video. Under the guidance of wind coach Gary Rasmussen, U.S. F-Class Open Team Captain Shiraz Balolia shoots 100-7X for ten shots, following Gary’s wind calls.
Team Shooting with a Coach Shiraz tells us: “We come across a lot of shooters who have never shot under a coach. This video was produced to give shooters a basic understanding of shooting with a coach and the importance of releasing a good shot. In a team setting, you basically leave all the decision-making to the coach and aim where you’re told to aim. I’ve worked with Gary many times and it shows in the comfort level we have with each other. The coach plots the shots or a plotter advises the coach of any grouping that is not centered.”
Watch Gary Call the Wind and Shiraz Shoot 100-7X for Ten Shots
For best viewing, click the YouTube settings button to watch in 720p or 1080p HD (high definition).
Shiraz was shooting a 7mm F-Open rig: “My .284 Shehane rifle takes about 10 to 12 shots to settle down and that is probably why we made several scope adjustments while shooting. It is a great caliber and a step up from a straight .284 Winchester. The wind was relatively calm, but sometimes that slow wind with subtle angle changes can be very deceiving.”
The video was shot the first week of May 2013 at a range in Custer, WA located about 20 miles from Bellingham, Washington. The production team included Shiraz Balolia, Gary Rasmussen, three cameramen, and a target puller. Big Thanks to Grizzly Industrial for providing the camera crew and post-production talent.
The CMP has just released a new DVD: Basic Rifle Marksmanship. The DVD features a series of lessons taught by leading instructors from the U.S. Army Marksmanship Unit (USAMU). Aimed at prone, high power, and service rifle shooters, this new DVD covers the fundamentals of target shooting (with a strong emphasis on position shooting with sling and irons). This $6.95 DVD (#784DVDBRM) is offered through the CMP eStore. Content is divided into eight lessons:
by Steven Blair, 2012 California State Long Range F-Open Champion
Assess the Terrain and How the Wind Will Interact with It
Before you begin a match, take a few minutes to look around the range at the terrain, any obstructions, range topography (berms and backstop), and trees, buildings or structures that could affect wind flow over the range. Imagine what might happen if the wind was from the left or right, headwind or tailwind. Depending upon the direction, significant effects may be seen on range. A head or tail wind may ripple across the berms, causing elevation changes, both high and low. A tall side berm, like the east side berm at Ben Avery, may cause turbulence when the wind comes from that direction. Blocking features might shield most of the wind but a break along the range can funnel strong gusts through the gap with no other indications. Take a few notes about the effects of different wind directions and refer to them if the prevailing direction changes. (Tip courtesy Tony Robertson.)
Use a Spotting Scope, Even When Shooting a Scoped Rifle
A good spotting scope can “see” mirage much more clearly than even an expensive rifle scope. Take your spotting scope to the line and position it as sling shooters do, close enough to use without much movement. Focus the scope approximately 1/3 of the way down range or where the most significant wind effects are likely to occur. Take a quick look while waiting for pit service, glance at the flags and compare to your scope sight picture. I often see ambiguous indications at the target through the rifle scope, but see a clear indication of wind direction and speed through the spotting scope at the shorter distance. When shooting the Arizona Palma Championship at Ben Avery last weekend, I was scoring while the wind was coming from the east. Shooters up and down the line were out to the left, losing points. Mirage at the target looked moderate and the flags weren’t indicating strong wind. As I focused the spotting scope back, the mirage suddenly looked like it was flowing twice as fast around 500 yards than it was closer or farther. It wasn’t until I realized that the access road cut through the berm there that I understood what was happening. (Tip courtesy Gary Eliseo.)
Don’t Over-React to Something That May Be an Anomaly
On ranges with sizable berms, a headwind or tailwind can cause significant elevation problems. It is generally not possible to see or predict when this will occur. When the conditions exist that cause elevation changes and other competitors are experiencing the same problem, the best strategy is to ignore it. Certainly, avoid shooting when the head or tail wind is gusting, the same as you would in a crosswind. But, if you react to random, range-induced elevation changes, the only likely result is to make it worse. Whether the problem is caused by range or ammunition, maintain your waterline hold until you have evidence that something has fundamentally changed.
My .284 Shehane will usually require a click or two down during a string as the barrel warms. That is normal and manageable. But, if your shots are just bouncing up and down in the 10 ring, leave it alone. The same is also true of an occasional gust pushing a shot into the 9 ring. If the conditions have not changed and one shot just went out, it may be the result of a random occurrence that was not predictable. (Tip courtesy “School of Hard Knocks”.)
Adjust Spotting Scope Focus and Magnification as Needed to View Mirage vs. Target Details
In F-Class we only need to see mirage, spotters, and scoring disks. That does not take a lot of magnification. My scope is a Nikon 25-75x82mm ED. It is a superb scope for the money and makes it trivial to see minor variations in mirage. It is good to have the high magnification available, and it can always be reduced if necessary. I use different power settings for different situations.
Setting Magnification Levels
During a match, in very good viewing conditions, I set my spotting scope at 75X, full power. The mirage is more subtle in the morning and greater magnification is needed.
During a match with heavy mirage I set my spotting scope at about 40X. I have no problem seeing mirage, even at this magnification.
When practicing at 300 yards or closer I set my spotting scope at max power (75X) so I can see the little 6mm holes from my 6BR rifle. I usually need to focus back and forth between shots to see both bullet holes and mirage.
Steven Blair, 2012 California State Long Range F-Open Champion, has been shooting since childhood and competing for over 30 years. Before retiring, Steve spent 16 years in Engineering and IT with General Atomics. He has held Engineering and Marketing positions with several firearms companies and worked on projects from pistols to 155mm howitzers.
Nancy Tompkins will be bringing out a new Second Edition of her popular book: Prone and Long-Range Rifle Shooting. Nancy hopes to have Second Edition books available by mid-June, 2012. The enhanced Second Edition will feature updates to the current chapters, more photos, plus an entirely new chapter on F-Class Shooting. The Second Edition will be issued as a hardback only, for increased durability. Price isn’t set yet, but Nancy hopes to keep the price “under $40.00″. The book will be available from Sinclair Int’l and direct from Nancy who plans to have a new website for the book running by the end of May.
While visiting the new Lapua Rimfire Test Center in Mesa, Arizona, we had a chance to chat with Nancy, and learn about the Second Edition of Prone and Long-Range Rifle Shooting. Watch the video to hear Nancy talk about her plans for the updated version of her book.
Tompkins Book a Must-Read for Long-Range Shooters
Nancy’s updated treatise is a must-read for serious Palma, F-Class, and High Power shooters. The sections covering Mental & Physical training and Reading Wind & Mirage will benefit all precision shooters, regardless of discipline. Other topics include Shooting Fundamentals, International Competition, and Loading for Long Range. Nancy Tompkins has won the National Long Range Championships four times, and is the first woman ever to win the National High Power Championship. (The second was Nancy’s daughter SGT Sherri Gallagher.) Nancy has also won the prestigious Wimbledon Cup, and is a 5-time Leech Cup winner. Nancy has been on six Palma Teams (as both a shooter and a coach). (Note: photo shows First Edition of book.)
Train Wrecks (and How to Avoid Them)
4. Wind Issues. Tricky winds derail many trains. A lot can be written about wind strategies, but here’s a simple tip about how to take the edge off a worse case scenario. You don’t have to start blazing away on the command of “Commence fire”. If the wind is blowing like a bastard when your time starts, just wait! You’re allotted 30 minutes to fire your string in long range slow fire. With average pit service, it might take you 10 minutes if you hustle, less in F-Class. Point being, you have about three times longer than you need. So let everyone else shoot through the storm and look for a window (or windows) of time which are not so adverse. Of course this is a risk, conditions might get worse if you wait. This is where judgment comes in. Just know you have options for managing time and keep an eye on the clock. Saving rounds in a slow fire match is a costly and embarrassing train wreck.
To succeed in long-range shooting matches, given the high level of competition these days, you’ll need solid wind-reading abilities. We’ve found an article by SFC Emil Praslick III, USAMU Service Rifle coach, that can help you make better wind calls in competition.
Part One covers basic principles, tactics, and strategies, with a focus on the 200-yard stages. Emil writes: “There are as many dimensions to ‘wind reading’ as there are stages to High Power competition. Your tactical mindset, or philosophy, must be different for the 200 and 300 yard rapid-fire stages than it would be for the 600 yard slow-fire. In the slow-fire stages you have the ability to adjust windage from shot to shot, utilizing the location of the previous shot as an indicator. Additionally, a change to the existing conditions can be identified and adjusted for prior to shooting the next shot.”
In response to questions from a fellow F-Class shooter, G. Salazar offered some expert advice in an article entitled: 
My technique is based on the understanding of wind as a cyclical wave motion. That statement alone should give you plenty to think about[.] Imagine for a moment, a surfer. He waits for a gentle swell, gets moving on it and rides it through it’s growth and ultimately its crescendo and hopefully avoids being swallowed in its crash. Wind typically behaves in the same fashion as that wave and a smart shooter behaves as does the surfer — get on early in the wave, ride through the major change and get off at the right moment. Knowing when to stop shooting is every bit as important as shooting quickly through the predictable portion of the wave; getting back on to the next wave is a matter of delicate judgment and timing.
If you want to win shooting matches you’ll need to gauge wind speed and direction. While many shooters use the excellent 
Shiraz tells us: “We come across a lot of shooters who have never shot under a coach. This video was produced to give shooters a basic understanding of shooting with a coach and the importance of releasing a good shot. In a team setting, you basically leave all the decision-making to the coach and aim where you’re told to aim. I’ve worked with Gary many times and it shows in the comfort level we have with each other. The coach plots the shots or a plotter advises the coach of any grouping that is not centered.”
The CMP has just released a new DVD: 
Setting Magnification Levels
Nancy Tompkins will be bringing out a new Second Edition of her popular book: Prone and Long-Range Rifle Shooting. Nancy hopes to have Second Edition books available by mid-June, 2012. The enhanced Second Edition will feature updates to the current chapters, more photos, plus an entirely new chapter on F-Class Shooting. The Second Edition will be issued as a hardback only, for increased durability. Price isn’t set yet, but Nancy hopes to keep the price “under $40.00″. The book will be available from 
Tompkins Book a Must-Read for Long-Range Shooters
