Edgewood Shooting Bags makes some of the best front and rear shooting bags you can buy. And the Edgewood rear bag are offered with a modern, hybrid “slick material overlay”. This combines the shape retention and stability of leather ears, with slick, low-friction material where the stock rides. This “best of both worlds” solution delivers both bag stability and improved tracking. Derek Rodgers, the only man who has won BOTH the F-Open and F-TR National Championships, has used this bag and he says his gun tracks great with the slick material on top of leather-based ears.
New Copperback Edgewood Rear Bags
Edgewood’s new Copperback bags boast a new bag shape and ear geometry that maximizes stability while minimizing interference with shooter’s body. The Cooperbacks also feature a new ear material specially coated to reduce friction for smooth recoil and return to battery.
Along with great front and rear bags, Edgewood also offers quality leather OWB holsters and IWB holsters. And we bet you didn’t know that Edgewood got its start making tack and bridles for horse riders. Here’s a short history of Edgewood Leather, a family-run business based in Albuquerque, New Mexico.
The History of Edgewood Leather
by Jack Snyder
I’ve always enjoyed working with leather and still do to this day. Something about starting with an idea and building a useful and hopefully, beautiful piece does it for me. There’s nothing like leather to stimulate my imagination. It brings out my creativity and makes me happy.
I began doing leatherwork as a kid, 12 or 13, and the first piece I made was a pair of shoes. Got a job in a leather shop in the late ’60s and made purses and belts, wallets and sandals — many pairs of sandals. I opened a small retail shop in Estes Park, CO and made even more of the same, adding vests, halter tops, hats, mountain man gear of all sorts from skunk hats to goat fur high-top moccasins.
After a decade or so, I became restless for something new and taught myself bridle work. I discovered a niche market with English riders who were always looking for beautiful, well-fitting show bridles and over a period of about twenty years developed and produced many products for these riders — numerous types of nosebands, breastplates, martingales, girths and many different varieties of reins. At the same time I observed that for every horse and rider there were at least two dogs trotting along beside. I began making dog products which closely resembled their horse buddies bridle work. Sales were good. Leashes, leads, halters and collars showed up at dog shows around the country. My bridles were worn by many champions in every horse discipline — dressage, show ring, hunter-jumpers, and my polo gear became popular among the players. All of that was fun and I’m still proud of those products (still being made today), but it was time for a change. I sold my interest to my partner and tried to retire. Didn’t work, though.
My plan was to shoot benchrest matches, as many as I could. And I did for some time and loved every minute. I’ve made many friends among the shooters, discovering early on that these people are the most interesting, smart folks a guy could ever associate with. To the man, they’ll share what they know with you and even hand you their gun when yours malfunctions during a match, and grin and slap you on the back when you beat ‘em with it!
When I was getting started in benchrest, one aspect of the game was somewhat disappointing to me-the quality and stability of the shooting bags. It was natural with my past leather experience to make what I thought would be a better product. I cobbled up a couple of bags and went to a match in Oklahoma. All hell broke loose. Most of the shooters had to have one. By the end of the summer, I had so many orders for shooting bags, I couldn’t keep up the pace. I was improving the designs, based on the shooters telling me what worked and didn’t work. I was adding new products, experimenting with materials, processes and configurations and having a great time. Completely by accident, Edgewood Shooting Bags was born. My wife Cindy and my two kids Jackie and Aaron jumped in and we became a bag-making machine — always looking to improve and expand upon the products. Jackie’s husband Ryan joined us several years ago and together, we’ve made a pretty awesome team.
Latest Rear Bag Design — Leather Ears with ‘Slick Material Overlay’
Edgewood constantly strives to improve its products. Witness the new “slick material overlay” bag ears. This is a major design improvement over our regular “slick ears”. The development of the overall design all started when we noticed some shooters applying household products like talcum powder or dryer sheets to the ears of their bag in an effort to reduce friction and speed up their rifle’s return to battery. We found a material that would achieve this function without the need to raid their wife’s pantry for powders or laundry accessories and began sewing the ears up using this “microscopic glass bead impregnated” fabric. We were happy with the results. However, we soon began to realize that the slick material could have the longevity of our nylon as well as its slick properties, if we found a way to increase its thickness without causing wrinkles or inconsistencies.
First, we ended up hunting down some similar fabric with a much higher strength and thickness. It even has a fireproof backing that makes it far more durable — even if shooters aren’t planning on exposing it to temperatures higher than the Arizona desert can offer. This material was definitely superior and even more representative of the quality and durability that shooters have come to expect from products wearing the Edgewood logo. We didn’t stop there, either.
We started experimenting with a way to combine our toughest ear design, which is made from soft leather, with the slick material to create the best of both worlds. We deemed it the “slick overlay” option and many of the world’s top shooters now swear by it. There is no compromise with this ear set — shooters gain all of the advantages of the slick material, in addition to durability and consistency that exceeds even our tried and true nylon ears. Many of our original bags have been punished by shooters for over a decade and are still performing. We expect this design to last even longer.
Keeping ahead of the curve with innovations that create and help propel evolution in the sport is a signal of our commitment to retain our status into the future. Along with other new products like our second generation of concealed and open carry holsters, range bags for sighting in hunting rifles, radius front bags for AR-style rifles, camouflage color options and more. Check us out online or give us a call. We’re ready to meet the demands of shooters — from Benchrest and F-Class to concealed carry and IDPA.
Jack Snyder
President – Edgewood Shooting Bags and Gun Leather
When developing loads, it is important to know the true internal capacity of your cases, both fired and “as FL-sized”. In particular, when using the QuickLOAD program, it is vital to determine true case capacity. The default case capacity values listed by QuickLOAD may be off half a grain (or more) because brass from different manufacturers can vary considerably in capacity. Case capacity is a very important variable that will affect the pressure of a load and the velocity of your bullets.
To determine the true internal capacity of your cases, first weigh an empty cartridge case, then fill the case with water (all the way to the top of the neck) and weigh the case again. The difference in weight is your H20 capacity in grains. But how do you keep the H20 from flowing out the bottom? When measuring fired, unsized cases, you can simply leave the spent primer in the pocket. However, if you want to measure new brass or “as-FL sized” cases that have been deprimed, you’d have to insert a spent primer to “stem the tide”. Until now that is… 21st Century Shooting sells a great little $5.50 tool that plugs the bottom of the case so you can measure H20 capacity with ease.
When we saw 21st Century’s Primer Pocket Plug we thought “That’s smart — why didn’t someone think about that a long time ago?”. This handy “end-cap” lets you quickly measure multiple new brass cases or deprimed FL-sized cases so you can get an average H20 capacity. The primer pocket plugs are NOT case-specific (they feature an O-ring that fits the pocket). One version will work with all small-primer-pocket cases, while another works with all large-primer-pocket cartridge types. Price is $11.99 for either small-pocket or large-pocket version.
ALTERNATIVE: >If you want to measure H20 capacity on fired, sized brass, but don’t want to shell out the money for the tool (or re-insert a spent primer), here’s a simple suggestion. When you size your case, first remove the decapping rod from the die. Then you can FL-size the case without removing the primer. Of course, you will eventually have to knock the primer out, and that requires putting the decapping rod back in the die and running the case through a second time. To avoid that hassle, the Primer Pocket Plug may be worth the $5.50 over the long haul.
Product Find by ELR Reseacher. We welcome reader submissions.
In Tennessee, when you order a take-out pizza, you get a cardboard shooting target at no extra charge. Nashville, Tennessee-based Hunt Brothers Pizza has come up with a clever idea to promote pizza consumption among the hunting and shooting fraternity. They’ve put targets on the pizza boxes — a very cool idea.
Hunt Brothers offers cardboard pizza boxes with five red and black bullseyes printed on the back. Now your used empty pizza boxes can do more than just take up space in the trash can. This is a pretty smart idea we think — it’s a great example of clever “dual-use” packaging. Hopefully pizza parlors in other locations nationwide will follow suit someday….
Give credit to The Firearm Blog for finding this story and publishing it first.
Some folks say you haven’t really mastered marksmanship unless you can hit a target when standing tall ‘on your own hind legs’. Of all the shooting positions, standing can be the most challenging because you have no horizontally-solid resting point for your forward arm/elbow. Here 10-time National High Power Champ Carl Bernosky explains how to make the standing shot.
Carl Bernosky is one of the greatest marksmen in history. A multi-time National High Power Champion, Carl has won ten (10) National High Power Championships in his storied shooting career, most recently in 2012. In this article, Carl provides step-by-step strategies to help High Power shooters improve their standing scores. When Carl talks about standing techniques, shooters should listen. Among his peers, Carl is regard as one of the very best standing shooters in the history of High Power shooting. Carl rarely puts pen to paper, but he was kind enough to share his techniques with AccurateShooter.com’s readers.
If you are position shooter, or aspire to be one some day, read this article word for word, and then read it again. We guarantee you’ll learn some techniques (and strategies) that can improve your shooting and boost your scores. This stuff is gold folks, read and learn…
How to Shoot Standing by Carl Bernosky
Shooting consistently good standing stages is a matter of getting rounds down range, with thoughtfully-executed goals. But first, your hold will determine the success you will have.
1. Your hold has to be 10 Ring to shoot 10s. This means that there should be a reasonable amount of time (enough to get a shot off) that your sights are within your best hold. No attention should be paid to the sights when they are not in the middle — that’s wasted energy. My best hold is within 5 seconds after I first look though my sights. I’m ready to shoot the shot at that time. If the gun doesn’t stop, I don’t shoot. I start over.
2. The shot has to be executed with the gun sitting still within your hold. If the gun is moving, it’s most likely moving out, and you’ve missed the best part of your hold.
3. Recognizing that the gun is sitting still and within your hold will initiate you firing the shot. Lots of dry fire or live fire training will help you acquire awareness of the gun sitting still. It’s not subconscious to me, but it’s close.
4. Don’t disturb the gun when you shoot the shot. That being said, I don’t believe in using ball or dummy rounds with the object of being surprised when the shot goes off. I consciously shoot every shot. Sometimes there is a mistake and I over-hold. But the more I train the less of these I get. If I get a dud round my gun will dip.* I don’t believe you can learn to ignore recoil. You must be consistent in your reaction to it.
5. Know your hold and shoot within it. The best part of my hold is about 4 inches. When I get things rolling, I recognize a still gun within my hold and execute the shot. I train to do this every shot. Close 10s are acceptable. Mid-ring 10s are not. If my hold was 8 inches I would train the same way. Shoot the shot when it is still within the hold, and accept the occasional 9. But don’t accept the shots out of the hold.
6. Practice makes perfect. The number of rounds you put down range matter. I shudder to think the amount of rounds I’ve fired standing in my life, and it still takes a month of shooting standing before Perry to be in my comfort zone. That month before Perry I shoot about 2000 rounds standing, 22 shots at a time. It peaks me at just about the right time.
This summarizes what I believe it takes to shoot good standing stages. I hope it provides some insight, understanding, and a roadmap to your own success shooting standing.
— Good Shooting, Carl
* This is very noticeable to me when shooting pistol. I can shoot bullet holes at 25 yards, but if I’ve miscounted the rounds I’ve fired out of my magazine, my pistol will dip noticeably. So do the pistols of the best pistol shooters I’ve watched and shot with. One might call this a “jerk”, I call it “controlled aggressive execution”, executed consistently.
by Sierra Bullets Ballistic Technician Paul Box
One thing that plays a major role in building an accuracy load is neck tension. I think a lot of reloaders pretty much take this for granted and don’t give that enough thought.
So, how much neck tension is enough?
Thru the years and shooting both a wide variety of calibers and burn rates of powder, I’ve had the best accuracy overall with .002″ of neck tension. Naturally you will run into a rifle now and then that will do its best with something different like .001″ or even .003″, but .002″ has worked very well for me. So how do we control the neck tension? Let’s take a look at that.
First of all, if you’re running a standard sizing die with an expander ball, just pull your decapping rod assembly out of your die and measure the expander ball. What I prefer is to have an expander ball that [can give] you .002″ in neck tension [meaning the inside neck diameter is about .002″ smaller than the bullet diameter after passing the expander through]. If you want to take the expander ball down in diameter, just chuck up your decapping rod assembly in a drill and turn it down with some emery cloth. When you have the diameter you need, polish it with three ought or four ought steel wool. This will give it a mirror finish and less drag coming through your case neck after sizing.
Tips for Dies With Interchangeable Neck Bushings
If you’re using a bushing die, I measure across the neck of eight or ten loaded rounds, then take an average on these and go .003″ under that measurement. There are other methods to determine bushing size, but this system has worked well for me.
Proper Annealing Can Deliver More Uniform Neck Tension
Another thing I want to mention is annealing. When brass is the correct softness, it will take a “set” coming out of the sizing die far better than brass that has become to hard. When brass has been work hardened to a point, it will be more springy when it comes out of a sizing die and neck tension will vary. Have you ever noticed how some bullets seated harder than others? That is why.
Paying closer attention to neck tension will give you both better accuracy and more consistent groups.
Todd Jarrett is one of the world’s best handgun shooters. A multi-time World Champion, Todd knows a thing or two about semi-auto pistols, particularly 1911s and 1911-based raceguns. Jarrett has been IPSC Open Division World Champion, has won the Steel Challenge World title four times (Limited Division), and has won than 100 Area championships, as well as many other action shooting events. Jarrett is the only USPSA Triple Crown Winner and he holds four USPSA National titles: Open, Limited, Production, and Limited-10. Jarrett revealed in an interview that between 1988 and 2001 he shot about 1.7 million rounds during practice: “I had a gun in my hand for two hours every day for 10 years to develop my skill level”.
In the video below, Todd explains how to get the proper grip on your handgun, and how to employ a proper stance. We’ve watched many videos on pistol shooting. This is one of the best handgun instructional videos we’ve seen. Todd explains, in easy-to-understand terms, the key elements of grip and stance. One very important point he demonstrates is how to align the grip in your hand so that the gun points naturally — something very important when rapid aiming is required. If you watch this video, you’ll learn valuable lessons — whether you shoot competitively or just want to have better control and accuracy when using your handgun defensively.
Recommended Thumbs-Forward Shooting Grip for 1911s
“Shooting semiautomatic pistols using the thumbs-forward method really becomes useful … where speed and accuracy are both needed. By positioning the thumbs-forward along the slide (or slightly off of the slide) you are in essence creating a second sighting device: wherever your shooting thumb is pointing is where the pistol is pointing. This makes it incredibly fast to draw the pistol, get your proper grip, and press forward to the target without needing to hunt around for the front sight.” — Cheaper Than Dirt Blog.
Are you a do-it-yourself kind of guy with a creative eye? Then you’ll love the FREE Target Generator from the folks at ShooterShed.com. This FREE, interactive webpage allows you to design a variety of fun targets, including grids, benchrest-type Score/Group Shooting targets, sight-in targets, and even playing card targets. Choose the paper size and orientation (vertical or horizontal), then select the number of target elements on the page. For example, you could have four (4) bulls or a dozen playing cards. Then click the Style TAB to choose your target style. Use the OPTIONS TAB to overlay a grid on the target, choose squares or diamonds, or include load information blocks. For bullseye targets, you can control the number, color, and spacing (diameter) of the rings. LINK to TARGET GENERATOR.
QWIK TIP: For Super-Quick Target Creation, click the “Target Style” tab, then select a design from the list on the left. Then go to OPTIONS.
Click the TARGET STYLE TAB to select one of many target styles, including NBRSA Benchrest targets and 20+ types of NRA bullseye targets, scaled to distance:
Benchrest
Bullseye
Shapes
NRA High Power
NRA Pistol
NRA Rimfire
Images
Playing Cards
Load Test Blocks
Competitors can create practice targets similar to their match targets. This target features short-range range Benchrest competition-style box/circle aiming points, along with fields for entry of gun/load data:
Creating new targets is fast and easy. No computer graphics skills required! We created this green diamonds grid target in just five minutes using the ShooterShed Target Generator:
The program provides a preview of each target you generate. There are controls to choose border and fill colors. If you like a particular design, save the file, and then print as many targets as you want. Check it out, this program is fun and handy to use. Here are four (4) targets your Editor created just for this article. With a bit of practice, you can be generating your own custom targets in minutes.
About the Creator of the Target Generator
The Target Generator program was created by Rod Brown of Sheridan, Wyoming. Rod tells us: “I build custom rifles… I’ve got a 100-yard range out my back door. I shoot short- and long-range benchrest competitively around the country. I’m a full-time software development consultant and an FFL holder. When I’m not developing custom software for my clients, I’m usually fiddling in the shop, building a custom benchrest rifle, traveling to a match, chambering a barrel, or reloading some ammunition.”
Story tip from Boyd Allen. We welcome reader submissions.
This popular video, viewed 3.9 million times on YouTube, provides a clear explanation of Minute of Angle (MOA) and how that angular measurement is used. Among novice shooters, there is much confusion over this term. In this NSSF Video, Ryan Cleckner, a former U.S. Army Sniper Instructor, defines the term “Minute of Angle” (MOA) and explains how you can adjust for windage and elevation using 1/4 or 1/8 MOA clicks on your scope. This allows you to sight-in precisely and compensate for bullet drop at various distances.
For starters, Ryan explains that, when talking about angular degrees, a “minute” is simply 1/60th. So a “Minute of Angle” is simply 1/60th of one degree of a central angle, measured either up and down (for elevation) or side to side (for windage). At 100 yards, 1 MOA equals 1.047″ on the target. This is often rounded to one inch for simplicity. Say, for example, you click up 1 MOA. That is roughly 1 inch at 100 yards, or roughly 4 inches at 400 yards, since the target area measured by 1 MOA increases in linear fashion with the distance.
More Minute of Angle (MOA) Explanatory Videos
This Gunwerks video explains that Minute of Angle subtends approximately 1″ for each 100 yards (well, 1.047″ to be more precise). That means a Minute of Angle increases in actual measured size the greater the distance of the target from the shooter.
This lengthy (24-minute) video defines Minute of Angle, and uses multiple diagrams to illustrate how MOA angular measurements works. The video also how MOA-based click values translate to point-of-impact changes at various distances.
You have to admire someone with serious do-it-yourself skills. Not just hammer and nail skills, but formidable design and fabrication skills. Well Forum Member Dave D. (aka “AKShooter”) has a DIY skill set that might put some trained machinists to shame. You see, “DIY Dave” crafted his own pedestal front rest from scratch, using his own design and about $100.00 in materials (not counting the Edgewood front bag). Dave estimates he put 20 hours of labor into the project, but the end result was worth it: “This Do-It-Yourself rest drives like a dream. I’ve played with the Caldwell and a Sinclair, they have nothing on this one.”
Dave tells us: “Here is my Do-It-Yourself front rest. I wanted to show other folks who are handy that a solid front rest is doable with a bit of time — and you don’t need to spend $1000.00. (You could say this is a design for shooters with more time than money.) This is for F-Class. I was originally overwhelmed by the equipment needed, so I decided to make my own rest. I didn’t have the money for a SEB or Farley Coaxial. This is what I’ll run this season (my second as an F-Class competitor).”
We asked Dave what equipment was used to make the rest. He explained: “My brother has a CNC cutter. But most water-jet outfits would do the work for $100 or less. All the plates are tapped and screwed. I found small machine screws on eBay.” Dave says there are other ways to build a front rest: “You could do the same with a welder and plate stock for base. It’s easier to do the top out of aluminum though, with all the tapping.”
Dave enjoys fabricating his own gear, but he admits the process can be time-consuming: “I’m a DIY guy. Sometimes I wrap up a project and wonder why the heck I just spent X amount of time on it.” Dave has other projects in the works: “Another option we are making for a friend is taking a cheap front rest and bolting to a 3/4″ thick, wide MDF base and adding additional adjustment screws. The hardware store is your friend!”
On the competition front, Dave is tuning up a 6mm Dasher: “My rifle last year was a .260 Rem Savage repeater. I was about middle of the pack in my group of shooters. Just went with unsorted Bergers and Lapua brass, and had a ton of fun. Now I’m in — hook, line, and sinker. I have an unfired 6 Dasher barreled action from the folks at Kelbly’s to break in. I’m cheap, so I ended up with a Do-It-Yourself stock for the Dasher.” Hopefully Dave will send us a photo of his DIY-stocked Dasher when the gun is dialed-in and “ready to rumble”.
To succeed in long-range shooting matches, given the high level of competition these days, you’ll need solid wind-reading abilities. We’ve found an article by SFC Emil Praslick III, retired USAMU Service Rifle coach and U.S. Palma Team Coach, that can help you make better wind calls in competition.
Emil Praslick, now retired from the U.S. Army, is considered one of the best wind gurus in the United States, if not the world. During his service with the USAMU he authored an excellent two-part article on wind reading that is available on the CMP (Civilian Marksmanship Program) website. Both articles contain helpful illustrations, and are “must-read” resources for any long-range shooter–not just Service Rifle and Highpower competitors.
Part One covers basic principles, tactics, and strategies, with a focus on the 200-yard stages. Emil writes: “There are as many dimensions to ‘wind reading’ as there are stages to High Power competition. Your tactical mindset, or philosophy, must be different for the 200 and 300 yard rapid-fire stages than it would be for the 600 yard slow-fire. In the slow-fire stages you have the ability to adjust windage from shot to shot, utilizing the location of the previous shot as an indicator. Additionally, a change to the existing conditions can be identified and adjusted for prior to shooting the next shot.”
In Part Two, Praslick provides more detailed explanations of the key principles of wind zeros, wind reading, and the Clock System for determining wind values: “The Value of the wind is as important as its speed when deciding the proper windage to place on the rifle. A 10 MPH wind from ’12 o-clock’ has No Value, hence it will not effect the flight of the bullet. A 10 MPH wind from ‘3 o’clock’, however, would be classified as Full Value. Failure to correct for a Full Value wind will surely result in a less than desirable result.”
Praslick also explains how to identify and evaluate MIRAGE:
Determine the accuracy of the mirage. Mirage is the reflection of light through layers of air that have different temperatures than the ground. These layers are blown by the wind and can be monitored to detect wind direction and speed.
Focus your scope midway between yourself and the target, this will make mirage appear more prominent. I must emphasize the importance of experience when using mirage as a wind-reading tool. The best way to become proficient in the use of mirage is to correlate its appearance to a known condition. Using this as a baseline, changes in mirage can be equated to changes in the value of the wind. Above all, you must practice this skill!
Click HERE for more excellent instructional articles by Emil Praslick and other USAMU Coaches and shooters.