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December 30th, 2025

Cut-Rifled Barrels — The History of the Cut-Rifling Process

Pratt & Whitney Cut rifling hydraulic machine

You’ve probably heard of cut-rifling, but did you know this process was invented in Germany nearly 500 years ago? Read on to learn more about how a cut-rifled barrel is made…

The cut-rifling process, used by leading barrel-makers such as Bartlein, Blake, Brux, and Krieger can yield a very high-quality barrel with a long useful life. Cut-rifled barrels have been at the top in short- and long-range benchrest competition in recent years, and cut-rifled barrels have long been popular with F-Class and High Power shooters.

You may be surprised to learn that cut-rifling is probably the oldest method of rifling a barrel. Invented in Nuremberg around 1520, the cut-rifling technique creates spiral grooves in the barrel by removing steel using some form of cutter. In its traditional form, cut rifling may be described as a single-point cutting system using a “hook” cutter. The cutter rests in the cutter box, a hardened steel cylinder made so it will just fit the reamed barrel blank and which also contains the cutter raising mechanism.

Above is a computer animation of an older style, sine-bar cut-rifling machine. Some machine features have been simplified for the purposes of illustration, but the basic operation is correctly shown. No, the cut-rifling machines at Krieger don’t use a hand-crank, but the mechanical process shown in this video is very similar to the way cut-rifling is done with more modern machines.

Kolbe Border Barrels Firearms ID

Read About Cut-Rifling Process at FirearmsID.com
To learn more about the barrel-making process, and cut-rifling in particular, visit FirearmsID.com. There you’ll find a “must-read” article by Dr. Geoffrey Kolbe: The Making of a Rifled Barrel. This article describes in detail how barrels are crafted, using both cut-rifling and button-rifling methods. Kolbe (past owner of Border Barrels) covers all the important processes: steel selection, hole drilling, hole reaming, and rifling (by various means). You’ll find a very extensive discussion of how rifling machines work. Here’s a short sample:

“At the start of World War Two, Pratt & Whitney developed a new, ‘B’ series of hydraulically-powered rifling machines, which were in fact two machines on the same bed. They weighed in at three tons and required the concrete floors now generally seen in workshops by this time. About two thousand were built to satisfy the new demand for rifle barrels, but many were broken up after the war or sold to emerging third world countries building up their own arms industry.

Pratt & Whitney Cut rifling hydraulic machine

Very few of these hydraulic machines subsequently became available on the surplus market and now it is these machines which are sought after and used by barrel makers like John Krieger and ‘Boots’ Obermeyer. In fact, there are probably less of the ‘B’ series hydraulic riflers around today than of the older ‘Sine Bar’ universal riflers.

The techniques of cut rifling have not stood still since the end of the war though. Largely due to the efforts of Boots Obermeyer the design, manufacture and maintenance of the hook cutter and the cutter box have been refined and developed so that barrels of superb accuracy have come from his shop. Cut rifled barrel makers like John Krieger (Krieger Barrels), Mark Chanlyn (Rocky Mountain Rifle Works) and Cliff Labounty (Labounty Precision Reboring)… learned much of their art from Boots Obermeyer, as did I.” — Geoffrey Kolbe

Video find by Boyd Allen. Archive photos from Border Barrels in the UK.
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December 30th, 2025

Single Stage vs. Progressive Press — Function and Safety Factors

Accurateshooter.com USAMU progressive press reloading

For many years, the U.S. Army Marksmanship Unit (USAMU) regularly published reloading “how-to” articles on the USAMU Facebook page. In this article, the USAMU’s reloading gurus address a question frequently asked by prospective handloaders: “Should I buy a single-stage press, or a progressive?” The USAMU says the best answer is Solomon-esque in both its wisdom and simplicity: “Get BOTH!” However, there is definitely more to the issue, as the USAMU explains below.

USAMU Reloading

Progressive Press Safety Considerations

by USAMU Staff
Many are the beginning handloaders who have asked a friend about their “setting up” a progressive press for them. The idea is that the newbie could then just feed in components and crank out buckets of practice ammo without needing to really learn much about handloading. Tempting though this might be, that’s simply not how it works. Such an approach might be ok if there were never a malfunction with either press or operator, but that’s unrealistic. Our hypothetical newbie would then lack the knowledge to problem-solve most situations.

usamu progressive reloading press RCBS

Worse yet, several different handloading operations would be occurring at different stations on the progressive press at the same time. It takes an experienced operator to keep track of, and truly understand the significance of, all those potential mini-problems. Loading without this experience is a recipe for potential disaster – such as a double powder charge (especially with pistol cartridges) dropped while the loader was attending to some other function, etc. Progressives are an animal unto themselves, and while they offer many benefits, they do take some getting used to – even by experienced handloaders!

ILLUSTRATIVE HORROR STORY
Here, enter a 40-year veteran handloader who decided to jump onto the progressive bandwagon late in his career, having used only single-stage presses all his life. A High Master NRA High Power Rifle competitor, he had no background in competitive pistol shooting, where historically most progressive presses are found.

Experienced Action Pistol shooters have typically encountered multiple episodes in which shooters “skipped” a powder charge for some reason, leading to a squib round and a bullet possibly lodged in the bore. Thus, at matches, it’s reflexive for them to yell “STOP!” in unison if they see a shooter get a “click” vs. a “bang”, and rack the slide to keep firing. This writer has personally seen several pistols saved in just such scenarios over the years.

Click No Bang — What NOT to Do
Our High Master set up a popular progressive press and began turning out .223 Rem 100-yard practice ammo with abandon. He was using a moly-coated 52gr match bullet and an economical, fast-burning surplus powder that gave great accuracy. Once on the range, he began practicing strings of rapid-fire. All was well, until he heard “Click!” rather than “Boom”.

Lacking the above experience or onlookers to halt him, he reflexively operated the charging handle on his expensive, custom NM AR15 Service Rifle, and the next trigger squeeze reportedly registered on seismographs over at least a three-state radius. He sat, uninjured but bewildered, until the hail of expensive bits and pieces quit raining down around him.

When the smoke cleared, he immediately cursed the horrid, evil, demonically-possessed progressive press for this, his first-ever reloading mishap. His $1400 NM upper was ruined, but thankfully, his $800 pre-ban lower… and he had escaped injury.

This tale is told not to discourage the use of progressive presses, but to emphasize the need to EASILY and IMMEDIATELY KNOW what is happening with the press at each station, every time the handle is cranked. Not to do so is, as they say, “bad ju-ju.”

It illustrates why we at the USAMU Handloading Shop agree in recommending that new handloaders should begin with a single-stage press. Once one thoroughly learns the steps in each phase of handloading by repeated experience, then one will be qualified to move on to a progressive press.

The single-stage press will REMAIN virtually indispensable for one’s entire handloading career, even after having purchased a progressive press (or two). There are endless small projects that are best handled on a single-stage press, and a poll of USAMU’s Handloading staff reveals that not one would willingly be without his single-stage press, despite owning at least one progressive.

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